You only pay for the version upgrades if there’s an overhaul to the software.Ĭubase is a powerful multi-track music creation, sequencing, and editing software for desktop computers. On the other hand, Studio One is not only less expensive, to begin with, but it also gives major updates for free. 5 ) will also cost around an additional $50. All of these things, plus the obligatory candy of Pro EQ3, DeEsser and Vocoder, make this a better Studio One.You can expect to pay more than $150 extra for Cubase, and each major update (like. "There’s a lot to love about this release, for me most of them are improvements like fader flip, pan, a useful video track, and the sublimely simple, yet incredibly useful, drag audio into a session option on the start up screen. MusicRadar verdict: Fuller, fatter and more versatile than the majority of DAWs out there, version 6 takes Studio One to the next level, and ably re-configures itself to suit your needs. A solid DAW just became a real contender. Diving straight into our required tasks from the outset, we can easily guide a track to completion, set up an effortless live performance template and even cut to video, all the while leaning solely on the DAW’s roster of under-appreciated plugins and effects. Let’s put it simply, this freshly rejuvenated Studio One is an absolute joy to use. Studio One 6 isn’t just an enhanced modern DAW, it’s also now kitted out with a slick video-oriented workflow that engenders smooth music-to-picture composition.īolstered since the last iteration, video cutting, editing and duplication is much slicker, while the ability to hold unlimited video clips with one of its new Video Tracks will make it a very appealing prospect to those searching for an all-under-one-hood alternative to their current editing space. It all adds up to a more corralled mixing landscape. All of your mixing channel parameters can be viewed within the new Mixer Channel Overview window, floating above your main workspace. Panning modes have taken a leap into the 2020s, adding binaural or balanced panning modes, with dedicated controls for each. Again, making control of send chains easier to access and view. Allowing you to control numerous FX/bus sends, side chains and Cue Mix sends directly using the main faders. On the topic of vocals, and an effective De-Esser is also notable, a simple dial-based interface allows the plug-in to isolate problem frequencies via a ‘Listen’ button, and customise the shape and range of the subsequent de-essing to taste.įurther enhancements have been applied across the board to Studio One’s plugins, and while there’s too much detail to delineate here, the watchwords are ‘depth’ and ‘speed’Ī major boon to those using Studio One 6 as their main mixing environment is Fader Flip. Ostensibly a simple tool for meshing the modulation of your input synth with your vocal, it can go way beyond simple Daft Punk-emulating tasks, and work as a nifty fresh sound generator. In-built plugins and effects have been spruced up, and include a new flexible Vocoder. Though not as immediately accessible as say Logic, Studio One 6 treats you like a pro at all times, and, switching your thinking to its drag-and-drop approach, doesn’t take long to master. The fundamental audio mixing view seems largely unchanged since the previous version, yet there’s been a definite upgrade when it comes to the overall speed of the DAW. In practice, it’s hard to think of comparable depth of lyric integration. This makes the lyrics less an out-of-the-box afterthought, but an intrinsic part of your in-progress project. Instead, lyrics inputted into Studio One 6 can be assigned to specific note, either by word or syllable. Requested for years, PreSonus have taken their time to create something a little more advanced than simply a pop-out text window. As version 6, rolls in with enhancements, speed and benefits by the truckload, we’re beginning to see its point.įor composers relying on Studio One to be the heart of their writing projects, the ability to apply a Global Lyrics Track to songs, scores and live sets will certainly be warmly welcomed. With subsequent iterations (4, 5 and numerous point updates) bringing slick additions like chord detection, video editing and a live performance-angled ‘Show’ page, we’ve noted a simultaneous growth in the number of people who now point at Studio One as the most flexible DAW for their workflows.
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